Instrument of Airbrush on military's moment of pride: Mythical portrait replaces 1971 picture

 

Instrument of Airbrush on military's moment of pride: Mythical portrait replaces 1971 picture 

For fifty years, the most striking emblem of India’s most significant military triumph was a snapshot of the Pakistani army affirming the Instrument of Surrender in Dhaka on December 16, 1971. 

It has recently been revealed that this image has been taken down from the office of the army chief, where it had proudly resided for many years, often serving as the backdrop against which visiting generals and foreign dignitaries posed for photographs. 

The new addition is an artwork—“inspired by the teachings of the Mahabharata,” as per defense sources—that depicts tanks and helicopters situated along the banks of what resembles Pangong Lake in Ladakh, overseen by a warrior in a chariot, a sage dressed in saffron, and a bird. 

A senior official from the defense ministry communicated via WhatsApp to this publication, justifying the decision by asserting that the new semi-mythical artwork highlighted the technological advancements of the Indian military and its “everlasting dedication to righteousness.” 

“The painting Karam Kshetra — Field of Deeds was created by Lt Col Thomas Jacob of 28 MADRAS. This artwork symbolizes the enduring commitment of the Indian Army to righteousness, based on the teachings of the Mahabharata,” it stated. 

“It depicts the Army as a protector of Dharma…. This inspiration draws from the strategic and philosophical insights of Chanakya, whose principles steer the Army’s methods of leadership, diplomacy, and combat.” 

Evidently, the painting also “illustrates how the contemporary Indian Army is armed with state-of-the-art systems, ensuring seamless collaboration across land, air, and maritime domains….” 

While India’s army may not have possessed “state-of-the-art systems” in 1971, the manner in which it executed the 13-day conflict has become legendary.